The photographer Carrie Mae Weems has made a career of representing American life in terms of race, gender and class, often using her own image to illustrate her point of view. The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman’s life, as conducted in the intimate setting of her kitchen. When you were making ‘The Kitchen Table Series’ did you get to sit and actually eat at the kitchen table? The second photograph in the sequence depicts the protagonist drinking and playing cards with a man. The scenes are distinctly relatable—we all have the capacity to be the protagonist. In 1976 I had been making photographs for a couple of years. PUBLISHED BY MUSÉE. © Images courtesy of Carrie Mae Weems and Jack Shainman Gallery. Cross-posted from Artsy. The images feature a black, female protagonist who serves as an archetypal character, though they are in actuality self-portraits made by Weems. Steeped in African-American history, Carrie Mae Weems’s works explore issues of race, class, and gender identity. Carrie Mae Weems, Untitled (Woman Feeding Bird), The Kitchen Table Series, 1990, gelatin silver print (printed 2015), 27.94 x 27.94 cm @ Carrie Mae Weems (Crystal Bridges Museum of American Art). Welcome to the official website of artist Carrie Mae Weems. Check out the current issue of Musée Magazine. Primarily working in photography and video, but also exploring everything from verse to performance, Weems has said that regardless of medium, activism is a central concern of her practice—specifically, looking at history as a way of better understanding the present. [By Jacqui Palumbo], “In 1989, Carrie Mae Weems began setting up her camera every day in her kitchen, in front of a simple wooden table illuminated by a single overhead light. No comments so far. Carrie Mae Weems, (born April 20, 1953, Portland, Oregon, U.S.), American artist and photographer known for creating installations that combine photography, audio, and text to examine many facets of contemporary American life.. Weems, who is probably best known as a photographer, initially studied modern dance.She received her first camera at age 21. Learn how your comment data is processed. Carrie Mae Weems: The Museum Series, Studio Museum in Harlem, New York. “I can’t tell you how many people I’ve met in the art world—artists, curators, dealers—that point to ‘The Kitchen Table Series’ as the one piece that made them know they wanted to be…in the arts,” said Elisabeth Sann, a director at Jack Shainman Gallery, which is currently exhibiting the series in an online viewing room.”, Revisiting Carrie Mae Weems’s Landmark “Kitchen Table Series”. And from that table, a fictional life unfolds, with Weems playing the lead role.”, “The resulting body of work became “The Kitchen Table Series” (1990), both a landmark in Weems’s career and in the lives of others. and between the sexes.” Carrie Mae Weems (United States) is the forth artist at The Caribbean Housewife.We presented her ‘Kitchen Table Series’: the first publication dedicated solely to this early and important body of work by the American artist. The African American artist Carrie Mae Weems is a photographer who often concentrates on personal, cultural, and racial identity in her work. ASMP — American Society of Media Photographers, Cross-posted from Artsy. - [Lauren] This print is part of Carrie Mae Weems' iconic Kitchen Table Series, a series that she started in 1989 and finished in 1990 that looks at a woman, and is centered around the kitchen table. Carrie mae weems the kitchen table series 1990 carrie mae weems the kitchen table series 1990 carrie mae weems the kitchen table series 1990 carrie mae weems reflects on her seminal enduring ... Carrie Mae Weems Kitchen Table Series Analysis; Add a comment. Contact  |  Stocklist Advertise | Internships  |  Support. monogamy . . These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object. ALL RIGHTS RESERVED. Carrie Mae Weems, 2019. RJP I had a very specific question for you because I was thinking about how much money I spend on everything else but cooking. Carrie Mae Weems’ acclaimed Kitchen Table Series depicts the life stages and relationships of a female protagonist, played by Weems herself. She once said, "Let me say that my primary concern in art, as in politics, is with the status and place of Afro-Americans in the country." Carrie Mae Weems (American, born 1953) Untitled, from the series Kitchen Table, 1990 gelatin silver print (first in a triptych) 27 1/4 x 27 1/4 inches Gift of the Contemporary Art Council . While at first glance the kitchen setting may appear minimalistic, it serves as a reminder of how telling our experiences in our kitchen can be—stories are told, food is shared, fights are started (murder is committed), laughter is heard, growth occurs; Weems could not have picked a more appropriate site to illustrate an exploration of social constructs. P.3 Prospect New Orleans, The McKenna Museum, New Orleans. As her work developed, she became more explicitly political, continuing to explore themes of racism and the African American experience while addressing gender issues and the … Now collected in book form with text by author Sarah Lewis and curator Adrienne Edwards, Carrie Mae Weems: Kitchen Table Series renders a page-by-page account of a woman’s life within the intimate setting of her kitchen—a stage for female individuality, intricacy and strength. The book features for the first time all 20 photographs and 14 text panels from Kitchen Table Series, one of the artist’s earliest series, and includes essay contributions by Sarah Lewis and Adrienne Edwards. Other articles where The Kitchen Table Series is discussed: Carrie Mae Weems: …she used for several works, The Kitchen Table Series (1990). Courtesy of the artist and Jack Shainman Gallery, New York. Courtesy: Serpentine Galleries, London; photograph: ©David Broda. The viewer is taken on a visual and literary journey through the protagonist’s connection to others and herself, concluding with her solitude—appropriately playing solitaire. Carrie Mae Weems, Mourning from the Constructing History series, 2008, archival pigment print, 61 × 51 inches. This site uses Akismet to reduce spam. This series is not photojournalism, and is fictional, yet it still documents realistic, everyday activity. ALL IMAGES, TRADEMARKS, AND TRADE NAMES ARE THE PROPERTY OF THEIR RESPECTIVE TRADEMARK HOLDERS © 2018 MUSÉE. Carrie Mae Weems: Three Decades of Photography and Video, Guggenheim Museum. It could be us applying lipstick with our child or mother, us with our arms around our lover, us taking a drag of a cigarette with a solemn look on our face. In 1990, American photographer, Carrie Mae Weems staged a series of scenes around her own kitchen table. © Carrie Mae Weems. Kitchen Table Series is the first publication dedicated solely to this early and important body of work by the American artist Carrie Mae Weems. Speakers: Lauren Haynes, Crystal Bridges Museum of American Art) and Dr. Steven Zucker A bottle of whiskey, a pair of mostly emptied tumblers, a dish of peanuts, some discarded shells, and a cigarette pack: these things constellate into a still life, lit by the glowing bulb above. Carrie Mae Weems, artist. In these constructed tableaux vivants , Weems uses the table as the anchor for her heroine’s life story; the site at which she embraces her partner, engages with her daughter or sits alone in contemplation. Every few images, a text panel appears, complimenting the scene with a compelling part of the story. . The intimate and often political content of this narrative series finds common ground around the kitchen table, transcending the separation of domestic and civic space. Kitchen Table Series is the first publication dedicated solely to this early and important body of work by the American artist Carrie Mae Weems. In 1990, Carrie Mae Weems exhibited The Kitchen Table Series, which has proven to be her most famous work. BOOKSHELF “Carrie Mae Weems: Kitchen Table Series” is a special volume dedicated to Carrie Mae Weems’s celebrated body of work made in 1990. She is shown alone, with friends, with a male figure, or with children, allowing the work to be equal parts introspective and extrospective. A single light hangs from the ceiling, illuminating the room while adding consistency in an evolving story. Vision Justice Around The Kitchen Table Aperture Foundation Carrie Mae Weems Reflects On Her Seminal Enduring Kitchen Revisiting Carrie Mae Weems S Indelible Series Almost Considered to be one of the artist’s most important bodies of work, Carrie Mae Weems’ Kitchen Table Series interweaves themes of race, class, gender, friendship, love, loss, power, and motherhood. The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman’s life, as conducted in the intimate setting of her kitchen. . All Weems images courtesy of Jack Shainman Gallery, New York. The resulting body of work became “The Kitchen Table Series” (1990), both a landmark in Weems’s career and in the lives of others. In 1990, the American photographer Carrie Mae Weems staged a series of black-and-white scenes at her own kitchen table, starring herself, alone and with other models. Carrie Mae Weems. Weems now lives in Fort Greene, Brooklyn and Syracuse, New York with her husband Jeffrey Hoone. In her Kitchen Table series, she uses the principle of … Carrie Mae Weems, Untitled (Woman Feeding Bird), from The Kitchen Table Series Felix Gonzalez-Torres, “Untitled” (billboard of an empty bed) Yinka Shonibare, The Swing (After Fragonard) Rineke Dijkstra, Odessa, Ukraine, August 4, 1993 Marlene Dumas, Models Shirin Neshat, Rebellious Silence, Women of Allah series Take a look at The Kitchen Table Series page: http://www.artbook.com/9788862084628.html. The kitchen; the one space in a house that witnesses the emotional spectrum of a relationship - a range of intimate engagements and exasperating encounters. More recently however, she expressed that "Black experience is not really the main point; rather, complex, dimensional, human experience and social inclusion... is the real point." [By Jacqui Palumbo] “In 1989, Carrie Mae Weems began setting up her camera every day in her kitchen, in front of a simple wooden table illuminated by a single overhead light. In 1990, Carrie Mae Weems exhibited The Kitchen Table Series, which has proven to be her most famous work. “The Kitchen Table Series depicts the battle around the family . © 2021 American Society of Media Photographers, Inc. Center for the Protection of Intellectual Property, ASMP Foundation – ASMP Donor’s Circle, 6 Copyright Infringement Cases Photographers Should Know About, How Photography Tells the Story of Civil War’s Black Soldiers, Man Loses HR Day Job, Becomes WaPo and NY Times Photographer, ASMP Foundation Announces Fujifilm Camera Auction Fundraising Support for ASMP Donor’s Circle Grant Program. The second text panel includes several lines that speak to the themes evident in the series: “‘What can you teach me?’ He wasn’t sure, confessing he didn't have a handle on this thing called life either.” Honest and raw, The Kitchen Table Series illustrates how we are all learning—from ourselves and each other—in our journey through this thing called life. Carrie Mae Weems, "Untitled [Woman and Daughter with Makeup]," 1990. The photograph is known as Untitled, but parenthetically, (Woman Feeding Bird). In the Kitchen Table Series, Carrie Mae Weems takes these issues on with verve. A quarter of a century later, a book was published solely dedicated to the series that weaves sexism, racism, class, and cultural identity into the 20 photographs and 14 text panels that comprise the collection. She continues to produce art that provides social commentary on the experiences of p Carrie Mae Weems reflects on her seminal Kitchen Table Series decades after she photographed it, just in time for its first stand-alone book release. Made only a few years after Carrie Mae Weems received her MFA in 1984 from the University of California, San Diego, Kitchen Table Series consists of 20 staged photographs depicting Weems and others seated at a table. This photo is part of Weems’ 1990 Kitchen Table Series depicting the life and relationships of a black woman as centered around her dining table. Be first to leave comment below. - [Steven] The kitchen is such a center of gravity in the home. It tells the story of a woman's life in the intimacy of her… One of the pivotal works in the career of the acclaimed photographer Carrie Mae Weems, "Kitchen Table Series" was originally completed in 1990 and reprinted in platinum in 2002. A quarter of a century later, a book was published solely dedicated to the series that weaves sexism, racism, class, and cultural identity into the 20 photographs and 14 text panels that comprise the collection. These images often were accompanied by text and audio recordings. "CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. Color: Real and Imagined, Pippy Houldsworth Gallery, London. Cancel reply. When Carrie Mae Weems’s seminal Kitchen Table Series was published for the first time as a stand-alone book in 2016, decades after the completion of the series, it was this poignant image Untitled (Woman and daughter with makeup) that was chosen for the front cover. Cross-Posted from Artsy explore issues of race, class, and gender identity Table Series the. And Jack Shainman Gallery, New York with her husband Jeffrey Hoone Cross-posted from Artsy of Jack Shainman.. 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